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Baritone. Great Arias for Voice and Piano. Russia. VoI. 3

Baritone. Great Arias for Voice and Piano. Russia. VoI. 3

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Author:
Isayenko E., Paikina V. Ed. and comp. by
Title (full):
Baritone. Great Arias for Voice and Piano. Russia. Issue 3. Series The Singer's Gold Repertoire
Number of pages:
44
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“Great Russian Arias” is a modern universal edition of famous and rare scenes from opera music by Russian composers of XIX–XXI centuries.
Our publishing house counts on publishing of several volumes for every type of voice, from soprano to bass, without timbre classification. The current publication is notable for expanded version of many scenes and arias, with prior recitatives, introductions, and finals, quite interesting to perform. In cases when there exist stable traditions of using both pre-revolution and Soviet librettos, and there are known the interpretations and cadences made by f amous singers, there are offered several variants of performing. For foreign performers there is offered a transliteration of Russian lyrics, which considers the difference in spelling and pronunciation of Russian words.
The musical material of every compilation is intended for both using in educational practice and concert performing.

Contents


S. Prokofiev. THE ARIA OF ANDREY BOLKONSKY. From the opera “War and Peace”. Libretto by S. Prokofiev and M. Mendelson-Prokofieva (after L. Tolstoy) (see notes)
S. Prokofiev. THE ARIA OF ANDREY BOLKONSKY. From the opera “War and Peace”. Libretto by S. Prokofiev and M. Mendelson-Prokofieva (after L. Tolstoy)
S. Prokofiev. ALEXEY’S ARIOSO. From the opera “The Tale of a True Man”. Libretto by S. Prokofiev and M. Mendelson-Prokofieva (after B. Polevoy)
I. Stravinsky. NICK SHELDOW’S SCENE. From the opera “The Rake’s Progress”. Libretto by W. Auden and Ch. Kallman
Yu. Shaporin. RYLEEV’S SONG. From the opera “The Decembrists”. Libretto by V. Rozhdestvensky (after A. Tolstoy)
S. Banevich. FIRST SONG OF LAMPLIGHTER. From the opera “The Story of Kay and Gerda”. Libretto by T. Kalinina (after H. Ch. Andersen)
S. Slonimsky. THE FIRST SONG OF THE SAD SKALD. From the opera “Mary Stuart”. Libetto by Ya. Gordin (after S. Zweig)
Author
Isayenko E., Paikina V. Ed. and comp. by
Title (full)
Baritone. Great Arias for Voice and Piano. Russia. Issue 3. Series The Singer's Gold Repertoire
Number of pages
44