Time has been giving evidence that Russian traditional instruments performing is tightly amalgamated with the whole Russian culture. Representing the past and contemporaneity this genre exposes spiritual life of the people, inhabitants of the vast country, their limitless abilities.
Domra is one of the participants of the Russian Folk Instruments' orchestra. Having passed the long way of suffering during the middle ages, when domrists were punished so as buffoons, it was revived by the great Russian musician Vasily Andreyev, who was making for the folk instruments legalization. Nowadays domra is widely used as the solo instrument, its repertoire is getting enriched.
Practising in the Rakhmaninov Children Music School already for many years, I decided to collect domra pieces, being on roll in classes and at concerts. These are both genuine Russian songs, authentic Western classics, etudes and large-scaled compositions, arrangements of flute and violin music. All these examples demonstrate different kinds of technique and rhythm (e. g. pizzicato, mediator playing, tremolo). Movements of the right hand are especially stipulated (up and down). Everything studied by the juniors.
CONTENTS:
I. PIECES
Do not Fly, Nightingale. Russian folk song
Song. F. Mendelssohn
Well. V. Kalinnikov
Little Cock. Ts. Kyui
There's a Path in Damp Coniferous Forest. Russian folk song
I am Sitting on the Stone. Russian folk song. Arranged by N. Rimsky-Korsakov
Punch. J. Brahms
Aria. H. Purcell
Hayfield. Folk song. Arranged by P. Tchaikovsky
Well. Ukrainian folk song. Edited by P. Tchaikovsky
Little Hare. Russian song. A. Gedike
Gavotte. G. F. Händel
Song. F. Schubert
Little Shepherd's Song. W. A. Mozart
Gavotte. J. S. Bach
Italian Song. P. Tchaikovsky
Variations. G. F. Händel
Waltz. C. M. Weber
II. STUDIES
1. G. Dulov
2. G. Dulov
3. G. Keiser
4. G. Dulov
5. G. Keiser
III. ENSEMBLES
Three Dances. P. Peuerl
1. Dance
2. Ballet
3. Courante
Courante. B. Marini
Sinfonia. H. Schutz