The world of Andrey Petrov’s music is lucid and constant. It’s accepted as diatonic and consonant one. Meanwhile the range of his phonations is wide, so as the amplitude of his partialities — genres and styles. He rules them according to the right of a musician, living on the crossroads of the Ages and continents: from Bach to jazz, from the Russian chants to sonority.
Contents:
1. O. Petrova, A. Petrov. WALTZ. From the film “Petersburgian Mysteries”
2. A. Petrov. HUMORESQUE. From the film “ Zaichik”
3. A. Petrov. PERPETUUM MOBILE. From the film “Mishel and Mishutka”
4. A. Petrov. SONG OF MATERNAL LOVE. From the film “Blue Bird”
5. A. Petrov. TANGO. From the film “Garage”
6. A. Petrov. WALTZ. From the film “Poor, Poor Pavel”
7. A. Petrov. JOLLY MARCH. From the film “Old, Old Tale”
8. A. Petrov. HUMORESQUE. From the film “The Amphibian Man”
9. A. Petrov. WALTZ. From the film “Beware of the Car”