To Music With Joy. 1st–3rd forms. Polyphony. Large-scaled form. Studies. Scales

The educational collection “TO MUSIC WITH JOY.  The 1^st - 3rd forms. Polyphony. Large-scaled form. Etudes. Scales” is most expedient to be used as the collection for studying and acquiring skills connected with the special method. Here you are the old-time dances with the polyphonic elements, so as sonatinas, rondos, variations, etudes, scales. Together with the compositions of the world music treasure, the teacher and pupil will come across some engrossing novelties of the Russian and foreign composers. Every section of the collection is compiled according to the growing technical complexity.

CONTENTS:

POLYPHONY

1. G. Telemann. PIECE
2. J. Witthauer. GAVOTTE
3. A. Müller. ANDANTINO
4. L. Mozart. PIECE
5. Anonymous. OLD DANCE
6. Ch. Neefe. ANDANTINO
7. J. Haydn. MINUET
8. L. Mozart. BOURRÉE
9. W. A. Mozart. MINUET
10. Ch. Graupner. RIGAUDON. Performing edition by O. Getalova and I. Viznaya
11. J.-Ph. Rameau. PIECE
12. D. Zipoli. MINUET
13. L. Mozart. POLONAISE
14. D. Türk. VIGOUR. Performing edition by O. Getalova and I. Viznaya
15. J. S. Bach. POLONAISE
16. G. Böhm. PRELUDE
17. D. Türk. ROUND DANCE
18. G. Handel. CHACONNE
19. J. Pachelbel. SARABANDE
20. S. Pavlyuchenko. FUGHETTA
21. J. S. Bach. POLONAISE
22. J. S. Bach. MINUET
23. J. S. Bach. LITTLE PRELUDE
24. J. S. Bach. BAGPIPE

LARGE-SCALED FORM

1. J. Wanhal. SONATINA
2. M. Tarapatova. VARIATIONS ON THE UKRAINIAN FOLK SONG “OH YOU, THE GIRL BETROTHED”
3. M. Tarapatova. VARIATIONS ON THE THEME OF THE SONG “STANDING ON THE LITTLE BRIDGE” by A. Filippenko. Performing edition by O. Getalova and I. Viznaya
4. T. Haslinger. SONATINA. Performing edition by O. Getalova and I. Viznaya
5. A. Goedicke. SONATINA
6. J. Wanhal. SONATINA. Performing edition by O. Getalova and I. Viznaya
7. A. Diabelli. SONATINA. Performing edition by O. Getalova and I. Viznaya
8. F. Dušek. SONATINA
9. A. André. SONATINA. Performing edition by O. Getalova and I. Viznaya
10. A. Goedicke. SONATINA
11. J. Hummel. ALLEGRETTO. Performing edition by O. Getalova and I. Viznaya
12. J. Schmitt. SONATINA. Performing edition by O. Getalova and I. Viznaya
13. C. Gurlitt. SCHERZO. Performing edition by O. Getalova and I. Viznaya
14.  J. Wanhal. RONDO. Performing edition by O. Getalova and I. Viznaya
15. R. Glier. RONDO. Performing edition by O. Getalova and I. Viznaya
16. W. A. Mozart. VARIATIONS ON THE THEME FROM THE OPERA “THE MAGIC FLUTE”
17. L. van Beethoven. SONATINA

ETUDES

1. E. Gnesina. ETUDE
2. D. Kabalevsky. ENTREATY. Etude. Performing edition by O. Getalova and I. Viznaya
3. O. Getalova. HARRAH! HOLIDAYS HAVE COME! Etude
4. I. Berkovich. CATCH-UP. Etude
5. I. Berkovich. ETUDE
6. A. Nikolayev. ETUDE
7. N. Golubovskaya. ETUDE
8. L. Schitte. ETUDE
9. C. Czerny. ETUDE
10. L. Schitte. ETUDE. Performing edition by O. Getalova and I. Viznaya
11. A. Grechaninov. LITTLE LEVERETS. Etude 
12. I. Berkovich. ETUDE
13. F. Rybitsky. BREEZE. Etude 
14. L. Schitte. ETUDE
15. S. Heller. BUTTERFLIES. Etude. Performing edition by O. Getalova and I. Viznaya
16. F. Burgmüller. FEELING UNEASY. Etude
17. I. Berkovich. ETUDE
18. C. Gurlitt. ETUDE. Performing edition by O. Getalova and I. Viznaya
19. C. Gurlitt. ETUDE
20. L. Streabbog. ETUDE
21. A. Lemoine. ETUDE. Performing edition by O. Getalova and I. Viznaya
22. H. Berens. ETUDE. Performing edition by O. Getalova and I. Viznaya
23. I. Berkovich. ETUDE
24. O. Getalova. MOTOR SONG. Etude 
25. O. Getalova. LET’S GO BY CAR! Etude
26. I. Berkovich. ETUDE
27. L. Schitte. ETUDE
28. F. Burgmüller. ARABESQUE. Etude
29. C. Czerny. ETUDE
30. H. Berens. ETUDE. Performing edition by O. Getalova and I. Viznaya
31. L. Schitte. ETUDE
32. A. Lemoine. ETUDE. Performing edition by O. Getalova and I. Viznaya
33. C. Czerny. ETUDE
34. A. Loeschhorn. ETUDE
35. I. Berkovich. ETUDE
36. F. Burgmüller. HARMONIES. Etude. Performing edition by O. Getalova and I. Viznaya
37. L. Schitte. ETUDE
38. Ch. Mayer. ETUDE

SCALES

I. Scales with symmetrical fingering
II. Scales-exceptions. Starting with the 4^th finger, or stopping on the 4^th finger
III. Repeating fingering in the left hand: 3-2-1-4-3-2-1. The 4^th finger on B flat in the right hand
IV. Fingers 2-3-4 on three black keys
V. Nonstandard fingering (fingers change in melodic version)
VI. Chromatic scale